randy's Recent Posts
That was quick.
Sorry, you are going to have to remind me what drawing problem you are talking about though. I'm going to be doing updates a lot more frequently this year, so hopefully I can get you a fix soon.
[EDIT]
never mind, I guess you mean the one above. I have Live 9.1.7 and it's working fine, so I'll have to try Yosemite now.
So the information on JUCE is not right, because I am using the latest version.
Hey, it's out!
I hear you and have thought about this a little. Crossfade is an interesting option. For consistency I would want it to visually adjust both of the little wet / dry dials so one knew what was going on. That might work OK.
I was hoping to get this out yesterday but found one more Windows issue... working on the deploy process now.
Hello and thanks!
I am still using 1.1.2 here. I would recommend you stay with 1.1.2 until the next update.
Aalto is not an application, it is a plugin in VST and AU formats. You will have to use it with a VST or Audio Unit host. Some of the popular hosts are Ableton Live, GarageBand, FL Studio, and so on. How to load it depends on what host you are using.
If you would like some help finding a good host, let me know something about how you plan to use Aalto and I will try to steer you in the right direction.
Or if you know all this and have a host you are using, let me know what it is and where things failed exactly.
Anything that gets sent out is because of a zone that tells the app what to send. Zones, both for notes and controllers, send out either OSC or MIDI or both depending on whether those are active in the Soundplane app. So, the short answer is there is no loss in resolution.
The program change message doesn't need to go through the KEY module events stuff, so it works even when receiving t3d.
Aalto is not getting more voices in 1.6, I'm saving that for a future release.
Hiya,
Yes, I never thought about wanting to change the program via OSC. After 1.6 is released I'll see if I can allow some MIDI along with the OSC without breaking anything.
@droolmaster0, yeah, no way to PM here for now. I do know that cyanwave sold his Soundplane. I am planning to build one or two more from parts I have in stock after I finish the Aalto update, so please stay tuned.
These are good ideas. Thanks for the feedback.
You can also use MIDI program changes to switch between patches in the "MIDI Programs" directory with different patterns. Make a "MIDI Programs" directory in ~/Music/Madrona Labs/Kaivo, and any patches you have in there should be available by pgm change message.
Hi and thanks for your interest.
Until I implement search on the site, you can use Google to search the forums here: "site:madronalabs.com query"
The client software is still changing relatively quickly as I add features. There is no finished manual yet, only the read me file.
Yes, in the Soundplane software you can make a map where any rectangle of keys, as small as one key, is assigned to an arbitrary note. So any layout is possible and can of course be saved.
I think tunings are a job for the instrument side, so I have implemented .scl and .kbm file reading in Aalto and Kaivo.
Yes, most people play with pitch rounding on. Both videos on the Soundplane page on the site are played with initial pitch rounding on.
The Soundplane can communicate with Kyma via OSC or MIDI.
Soindplane interoperates with all MIDI instruments and devices, software and hardware, in the usual ways that a MIDI source such as a keyboard would. So of course the data can be recorded, etc., and sent to many other systems. I haven't personally tried Bidule but it should work.
That sounds very painful! I'm sorry I couldn't provide a better solution. But I don't have a handle on what is going on there yet.
Hopefully Aalto 1.6 coming very soon with a new preset location will end the problems.
If you created the folder while Aalto was active, it might not have refreshed to show the folder. Closing the Aalto UI and opening it again should fix this.
This is the first I've heard about it. So I have no idea, but I will look into it!
When quantize is on, the closest key center is always chosen. The hysteresis dial selects a boundary size around the current key. When the touch moves outside this boundary, the quantized touch moved to the new closest key center. After quantizing, portamento is applied.
Vibrato is made as follows: the position is high-pass filtered at around 3 Hz, then the result is subtracted from the raw signal to get a vibrato signal. This vibrato signal is scaled by the "vibrato" dial then added to the pitch output. Quantizing does not affect vibrato.
OSC is just a way of sending around messages, like MIDI but more flexible and with more resolution. The Soundplane can control Kyma or Aalto using OSC or MIDI. there's no link over OSC between Kyma and Aalto (that I'm aware of!)
with "OSC parameters directly" I meant the way to go in a future world where I have written that feature. Sorry to disappoint. The feature will be Aalto / Kaivo recognizing parameter changes over OSC directly. I plan to do this in the next version, I can see a lot of uses for it.
The Soundplane part should be working. You can put an OSC controller address into the zone, and it should send out values on that address. But Aalto / Kaivo are not listening for them.
So, you mean using OSC through the mod outputs in the KEY module? That part was not clear.
Currently the KEY module is either listening to MIDI or OSC, but not both. I think a combination is likely to be confusing if not done carefully. I hear what you want to do though, and it's a reasonable thing.
I think the way to go might be using OSC parameters directly (not through the patcher.) this way the KEY module stays simple and you can send a parameter directly to whatever you want, not limited to having only 3. You would need to program the zones in the Soundplane app with the right controller names.
I'll save this for post 1.6 then.
Yes, I'm working hard to keep things current. Thanks for the good words!
Hi Ronni,
There are some problems in 1.5 that affect the sequencer triggering. I could delve into this, but I think the best thing is just to wait for 1.6, which should be out very very soon.
I'm not sure exactly from your description what is going on, but if you flip the "xvel" switch it may help some triggering issues.
Basically, you can only have one Aalto version on your computer at once. If you have your old installer you can install it over the newer version.
If you need something in particular fixed more urgently, please email me at support @ madronalabs.
Thanks for helping, @sequencersampler.
After a normal install of Aalto 1.5 the Aalto AU plugin should be in /Library/Audio/Plug-Ins/Components. That's the System Library, not your user Library. The VST plugin goes to /Library/Audio/Plug-Ins/VST . You can check these folders to make sure Aalto is there. I have not heard of any issue with the installer.
Editing the title seems to have removed the pictures. Anyway, the instrument has sold.
I always try to refine the Soundplane design and production process, and I can say that the third run of Soundplanes has turned out to be the best one yet. I allowed for a 10% failure rate of finished main circuit boards, building 30 complete boards and only selling 27. Happily, we had a 0% failure rate and every board has tested OK. So, I have an extra instrument to offer right now and a couple more special builds waiting in the wings.
Here you see Soundplane #0073 (click for closeups). One of the darker-colored cherry instruments from the third run, it is a sharp looker, and of course a smooth player. It's for sale at $1,895—if you would like to order it, just send me an email to randy at madronalabs dot com and I'll send a money request to you via PayPal. I can ship it out immediately. Please see the ordering info at http://madronalabs.com/soundplane, especially if you are outside the USA.
There are also two instruments for sale on the forums. One is in the USA and essentially unused, from this most recent run. There is also an instrument from the previous run for sale by its owner in Europe. For a European buyer it could mean a good savings on the purchase prices as well as duties and postage. [EDIT] updated info
Any movement at all will result in a pitch change if vibrato is > 0. In other words there is no "dead zone." The vibrato amount scales the amount of the pitch change.
I could see this being useful in the future with OSC parameters that I plan to add at some point. Some you could modulate with OSC while plying a MIDI sequence.
Right now OSC just plays notes, yes? So the OSC information would always be fighting with the MIDI and might result in a lot of stuck notes and confusion. What would you be trying to control?
Hi Valery,
This is a totally legitimate rant. Also a very polite one, so thank you for that.
I've heard similar feedback from a few people over the last month or two. I'm going to take it to heart and put some effort into speeding up my release schedule.
I appreciate the reality check from you. One thing I am not good at is project management. One reason bigger companies don't let you talk to developers is that they are always saying stupid shit like "this will be done in a couple of weeks." I have to work on that.
There are a few things getting in the way of more regular release that I can improve. The most fundamental is my own tendency to do more development instead of releasing. As I get more customers of course I'm getting more feature requests and more bug reports than I am used to. I have a hard time wanting to do a release with any known bugs. So as new information comes in from customers, it sends me back to work instead of releasing. While I didn't have as many customers this was not a big problem, but now I'm going to have to improve my project management and postpone some things to come back to later.
One purely technical thing I can do is spend some time making the release process easier here. There are too many steps to release a plugin here and not all of them are automated. Everyone knows this is a bad idea. You should be able to hit one button to build and test and deploy whatever you are working on, so releasing is not a multi-day chore. One thing I'm doing in the next version (1.7) that will help is getting rid of the stamping step I thought was so cool, and moving to a keyfile system. Then I can release more quickly, and also send out licensed betas without going through a long release process.
Another technical thing is working more with branches in my source code control system, so I can fix bugs in the previous release version while working on improvements. This is fairly basic housekeeping stuff, but I've been in the bad habit of just banging everything out in the main branch. For example, my library underlying Aalto and Kaivo has undergone a really major refactoring over the past few months that will be a big improvement for performance. But I should be able to do work like that while keeping maintenance builds of the older, working system happening.
And yeah, I do a lot of different stuff, as you mention. This is OK up to a point but If I'm going to sell software, I owe it to my customers to update it on a more regular basis.
As far as the Aalto update, last week I sent a beta to a handful of people who reported bugs and I'm dealing with one serious bug that only appears on Windows. Release should be very soon. Afterwards I'll take some time to put systems in place that help me release more regularly.
-Randy
I've never seen anything like this.
How many touches are active in the Soundplane software? Does this affect the pattern of weird notes?
In general, when a Max patch is in the mix, there's not much I can suggest without seeing the patch. There are just too many ways Max can be messing up...