We picked up the funny racing-stripe glass panes at my favorite used building materials place the Re-Store, a couple of blocks from the shop. They were exactly what was needed and were all of eight dollars in total. I think they were for a shower that never got built.
On the right you can see a few future Soundplanes. And yes, an Aeron chair from the dot-com bust.
On the software front, the new calibration is coming along very well. In just the last few days, thanks to my new filter code, the Soundplane has gone from being a promising prototype to a sensitive instrument that you can actually play. I'm going to turn this new work into a proper demo movie ASAP. I won't finish the client software for the demo, but do want to demonstrate OSC support and some of the calibration features.
I can't wait to apply an oil finish, put circuit boards in this beauty and make some sounds. That should happen next week. Until then, happy new year everyone!
salisbury steak. [theme] [for garf and bnek] by mad brahmin
I didn't either. If that was too frantic for you, here's some ambient overtones:
Yup, the Aalto group on Soundcloud is still blowing the eff up.
Our supplier in the UK has shipped out what should be the final version of this part---I expect to get it next week. [...]
Victoria, Tue Nov 15
UVic School of Music, MacLaurin building [Rm. B016] 4:30-5:30pm
Vancouver, Thur Nov 17
SFU / Woodwards complex, 149 West Hastings St., room 3420, 4:00-5:00pm
The Canadian Electroacoustic Community (CEC) is an organization supporting electronic music in Canada, celebrating its 25th anniversary with a nationwide tour this Fall. I'm grateful to be included in the programs for both the Victoria and Vancouver events! Both days will include other demos, talks, and lots of great music. Find out more about the CEC Anniversary Tour here: [cec.sonus.ca].
Taking questions helps me out a lot by letting me get a handle on things I need to explain better. The Soundplane's discrete keys over a more continuous surface is one example. People naturally wonder to what extent the keys make the surface non-continuous or influence the playing style. I'm writing down some notes about this and what else to put in the "most excellent hi-res demo video" I'll be working on soon.
Some other highlights of the trip: getting to see the UCSB Middle Eastern Ensemble perform Egyptian and Iraqi music, amazing tacos at SeƱor FIsh in Eagle Rock, and more sun in two days than I'll get all the rest of the winter back in Seattle. I'll be zipping back to OAK up the I-5 tomorrow, then flying home, and after a day of rest I look forward to sending another update from the lab.
I also brought some copper foil tape and with my laptop's built-in audio interface, made a simple capacitive distance sensor showing the basic principle the Soundplane is built on. I hope this demo showed some possibilities for exploring DIY sensors. When I get time, I would like to post some more detailed instructions on working with this simple technique.
Thanks all for coming, for asking the good questions, and to Robotspeak for hosting me! It was great to meet some more of my interweb friends in person.
The next demo is at Robotspeak in San Francisco, this Saturday at 4. If you're in SF, stop by!
Mark Mosher sent this video of Aalto, controlled with the Percussa AudioCubes. It really shows off Aalto's drone capability with a super Forbidden-Planet-style patch.
SoundsDivine just released the Chaos Ripple patch bank for Aalto. More info here: [soundsdivine.com] Some of these patches make timbres come out of my synth that I haven't heard before. And they represent a wide range of sounds. Great job!
Finally, I'd like to point out the ongoing and interesting stuff coming out of the Aalto Soundcloud page. It turned into a really thriving group where there's great new stuff almost daily, from simple sound examples to finished tracks. People are getting their modular funk on. Here's the most recent entry:
are you or are you not somehow related to Android Samba Girl. by jumpy gunderson